Tang Soo Do Hyung Introspective


The forms (hyung) used by Tang Soo Do are believed to be the intermediate forms between Okinawa and Japan. These include Kee Cho Hyung Il Bu, Ee Bu, and Sam Bu. These are similar to Taikyoku Shodan, Nidan and Sandan.
 
 Next are the Pyung Ahn (Okinawan: Pinan; Japanese: Heian) Cho Dan, Ee Dan, Sam Dan, Sa Dan and Oh Dan.
External (Hard Style), influenced by Southern Chinese Schools, These belong to the We Ga Ryu (Chinese: Wai Chia) They are characterized by aggressiveness, dynamic action and spontaneity.
Basai Dae is the Tang Soo Do version of Bassai Dai. Next is Passi So (Passai or Bassai Sho). Following these is jin Do (Chinto or Gankaku). The twelfth form is O Sip Sa Bo (U Sei Shi Ho; Gojushiho), followed by Wang Shu (Wansu; Empi/Embi). Tjin is the Tang Soo Do version of Ji-in.
So Rim Jang Kwon and Dam Toi are unique to Tang Soo Do. Hyung seventeen and eighteen are Kong Sang Koon Dae and Kong Sang Koon So (Kusanku Dai and Sho; Kanku Dai and Sho). Tang Soo Do has three Rohaee (Rohai) hyung: Chodan, Ee dan and Sam dan.
The last two are Eesip Sa (Nijushiho) and Woon Shu (Unsu).
The Ne Ga Ryu (Chinese: Nei Chia) Internal (Soft [Kung] Style) use forms influenced by the northern Chinese Schools. These forms display deliberateness, stability, fluid motion and slow, quiet power.
These forms include Tsan Tjin (Sanchin), Jun Jang, Ssi San, Ssi Boai (Saifa; Saipa), Bae Rin Bba, SsanSsi Bbai, Sei San (Seisan; Hangetsu), Sai Hoo Ah, Goo Reung Hoo Ah (Kururunfa), Jin Toi, Ji-on, Tae Kuk Kwon, and Ne Bboo Jin (Naihanji; Naihanchi; Tekki) Cho Dan, Ee Dan and Sam Dan.
The Choong Ga Ryu
Chil sung Hyung and Yuk Ro Hyung.
 Yuk Ro Chodan - Du Mun (Great Gate)
Yuk Ro Ee Dan - Jung Jol (Cutting the Middle)
Yuk Ro Sam Dan -  Po Wol embrace the moon
Sal Chu - Killing Hammer

Choong Ro - Seize and Capture

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