Sunday, August 03, 2014

Jion

 
 
This advanced hyung was demonstrated for Great Grandmaster Song Ki Kim in 2014.
 
Jion, Tiger form
The form Jion is usually done by 5th Dan and is approximately 300 years old, and was named after the founder Jion , a Buddhist Saint. The animal representation is Ram or Goat.


Jion form means To Love the Sound of Shaolin or Temple Sound, it also means "JI is to develop technique and On means to build physical conditioning and ability in sparring.
 
                                                             
 
 
 
 
 
 

Sunday, July 13, 2014

Kombatan Arnis

Great demo of Phillipine stick and empty hand techniques.  This make me miss my early days in martial arts with my Phillipine teachers.  Great men [Jose Deguzman and Armando Carandang] who inspired me to always be better.
 
The Phillipine arts teach stick and knife techniques before teaching empty hand.  Much of the stick technique translates to empty hand combat with destructions, trapping and locking.  It is a very deep and rich art.

Thursday, May 29, 2014

Phillippine Martial Arts

I have always been a fan of Philippine martial arts.  My first two teachers are Phillipino.

Here is a video of martial arts icon Dan Inosanto with a demo and history of Philippine martial arts.

Saturday, April 26, 2014

Momma’s, Go Ahead, Let Your Babies Grow Up to be Martial Artists




I couldn't have said it better myself, so instead let my friend, martial arts guru Tom Callos say it instead.

Kids who immerse themselves in martial arts practice don’t end up being the victims of bullies in school, they’re left alone, as bullies most usually pick on kids they know aren’t going to stand up for themselves. Kids who study the martial arts also usually end up being adults —who don’t get bullied in the workplace.

Kids who practice the martial arts hang out with teens and adults who practice the martial arts —and those are most often people who value physical exercise, good nutrition, calmness under pressure, and who set goals and methodically —and with no small amount of effort, —set out to achieve them. Not a bad crowd to hang out with at all.

Kids who study the martial arts often hear power words like “respect,” “courtesy,” “focus,” “compassion,” “kindness,” and “perseverance” 10,000 times more than any TV show or any amount of computer time provides in the same amount of time. Kids in the martial arts learn to put these words into action, too, in every practice session —and as a result, they often become the foundation for a lifetime of beliefs and practices.

Kids who practice the martial arts hear adults who practice martial arts saying things like, “If a picture is worth 1000 words, then an action is worth 1000 pictures,” and “If you can’t, then you must —and if you must, then you will,” and ““The ultimate aim of the martial arts lies not in victory nor defeat, but in the perfection of the character of its participants,” and “anger is an acid that does more harm to the vessel it is contained in than anything it is poured over” —and these ideas, kept in the mind and put to use, can, in one’s life, end up being absolute, concrete, worth their weight in gold game-changers.

Kids who practice the martial arts can grow up to be adults who write things like this —and who, nearly every day of the year, teach, coach, mentor, encourage, and motivate young people to not only look for and be their best, physically, mentally, and emotionally, but in how to take what they learn on the mats of their dojo —and put it to work in their lives, in their communities, in the world, to their own benefit and to the benefit of others.

Go ahead momma’s, let your babies grow up to be black belts.

—Tom Callos

Sunday, April 20, 2014

Good Pain and Bad Pain

My main focus in my psychology training was called behaviorism. I studied concepts in motivational psychology.   We as human beings tend to move towards pleasure and to avoid pain.

If you have ever done anything physical in life you probably have experienced both good pain and bad pain. 

Something pops, a sharp pain shoots through you or possibly you get a kick in the groin and       an "uh oh" feeling takes hold of your brain - bad pain!

But all pain is not bad.

Good pain may seem like a paradox but good pain makes you stronger like exercise at your threshold, pushing that last heavy bag round or forcing yourself to improve by making greater effort in an area that you may have to push in.  Getting out of bed the morning after a hard workout might be considered bad pain but can you imagine lying in bed all day?

We tend to avoid pain on many levels.  Dwelling on it makes worse and prolongs it.

We receive value from good pain.    If you are having it tough, convert your knowledge of  good pain and focus on the benefit/positive results.

Train hard and know the difference


MB

Sunday, April 06, 2014

Which Dog Do YOU Feed?

 
It's an old Indian proverb based on "The Good Wolf and The Bad Wolf" that live inside of us, constantly battling for control of our mind and the way we think.
 
The modern version is based on the courage dog and the fear dog and which one we like to feed.  The lesson to be learned is, the dog you feed the most wins the fight.
 
Both of these dogs are present in us.  You can't stop fear dog from being part of us.  Fear is always going to be a part of us but we can weaken his strength.  Negative thoughts and expectations feed the fear dog and leads us to stinking thinking along with feeling and performing poorly. 
 
We need to lock fear dog away!
 
 
Feeding the courage dog takes special care.  Look at the positive side of things, set and achieve small goals to feel like you are making progress.  Courage dog makes you a better person through empathy, patience, understanding, kindness  and thoughtfulness. 
 
When you arrive somewhere are people happy to see you or walking on eggshells waiting to see what kind of mood you are in?  Feeding courage dog helps you avoid conflict and makes you a better friend. 
 
Don't let fear control you and take you to the dark side.
 
                                      Right now make a sign where you can see it every day.
 

"Which dog are YOU feeding"?

Sunday, March 09, 2014

FEAR

False Expectations Appearing Real

In my opinion your mind is a great asset or liability in martial arts training and combat.  How many times have we doubted ourselves when we truly had all the tools to take care of business but not the confidence to follow through.  I have had tournament experiences where I was psyched out and I know I was the better martial artist and times when I was bouncing in the nightclub and instinct took over and the battle was actually won before the first punch was thrown because of my level of confidence.

Training your mind to kick into gear is a multi pronged approach.

  • Visualize the victory
  • assume it will go just as you plan
  • Be mad that someone would not treat you respectfully
  • Don't be compassionate- some people deserve a beating.
  • The "woofing" that is going on should be like listening in a different language.  The words have no meaning.
  • Don't let the gesturing/physical intimidation get to you.  If they get too close smash them.
  • Don't feel fear, feel domination and confidence by visualizing the total victory
  • Have a calm/focused mind that cannot be beat.
  • Interpret pain as motivation to strengthen your resolve
  • Do the unexpected
  • Deliver with rapid execution
  • Breathe

Tuesday, March 04, 2014

Focus Of Power

 Power Control - Him Jo Jeol.   (Him    Joe Juul)








One concept that takes many years to perfect is the concept of focusing power in a technique.





Too many times we have told our students, snap your punch, thrust your kick or lock your stance.  What we really want to see them do is focus their power at the right time in the movement.  Whether it is a static move like a punch in Keecho hyung or a side kick in Basai so we know many of these techniques lack power.

Using the 8 key concept shin chook.  Shin 신 Chook 적 (Expand/Contract or Relax/Tense).  Shin Chook is one of the most used concepts when we examine the development of powerful technique.

Without the speedy relaxation in the movement we cannot sufficiently place power at the end of the movement.  Try being stiff and hard too soon will only impede the energy to be released on impact. 

Saturday, November 16, 2013

The Ryu


 
The Hyung of Tang Soo Do were influenced by Ryu, or styles. 
 
Weh Ga Ryu (Outside/External House Style). Weh Ga Ryu came from Southern Chinese Schools emphasizing speed, aggressiveness and dynamic action. Examples of the Weh Ga Ryu style are the Kee Cho Hyung, Pyung Ahn Hyung, and Bassai.

 
Another Ryu is Neh Ga Ryu (Inside/Internal House Style). Neh Ga Ryu came from Northern Chinese Schools emphasizing more deliberate technique, stability and fluid motion. Most of our advanced Hyung come from the Neh Ga Ryu, such as Nai Han Ji and Sip Su.
 
The third Ryu is the Joong Gan Ryu (Middle Way Style) This Ryu was a Korean influence due to the fact that they had to be versatile because of the threat of living between China and Japan. The traditional Tang Soo Do Hyung like the Yuk Ro Hyung and Chil Sung Hyung come from this style.
 
The types of moves in a Hyung are important to the character also. These techniques often represent something from nature. By symbolizing an animal in our Hyung we show a respect for nature, as we should for all life. The Joong Gan Ryu is not based on animal forms but on human/natural style of breathing.  Grandmaster Hwang Kee made special emphasis in teaching these styles of breathing to further develop Tang Soo Do training.  Your hyung is not truly Tang Soo unless these breathing techniques are accurately incorporated into your training.

In a later post we will talk about ho hop as it relates to this.

KJN

 



 

Sunday, August 25, 2013

Message from my 2nd Teacher


I began training in Kyokushin karate in 1969.  These are my first two teachers.  On the left, Joe Deguzman and on the right Armando Carandang.  I was wearing a green uniform for outside summer classes.
These men began training in their homeland the Phillipines.  They were both Navy men who were stationed in New London.
prgrsvimghttp://ts1.mm.bing.net/th?id=H.4825083355792572&w=207&h=207&c=8&pid=3.1&qlt=90Mr. Carandang was also a Black Belt in Tae Kwon Do and Shorinji Kenpo as well as very experienced in Arnis De Mano (Phillipine stick fighting).  Often times we would meet him at his apartment and venture down to his basement for training.  One day when we arrived he had us dress in his new kendo armor.

This was to protect us from his full power blows during sparring.  He would swing our heavy bag away from himself and as it came towards him, he would fold it in half with his side kick.  

I have stayed in touch with him although he is currently living outside Washington, D.C.

I invited him to my eight dan graduation and I wanted to share a note from him.  Thank you Sir for helping me become the Black Belt and the man I am today.
We walk on the shoulders of our teachers.


From:  Armando Carandang
To:  Mike Bogdanski

Dear Mike

I deeply regret that I'll unable to attend your promotion due to distance and my recuperation.

I am extremely fortunate to have you as a student for more than forty one years.  You are an outstanding Martial Art student, a superb sensei and above all else a good and loyal friend.  Your dedication to the Martial Art are always in the highest caliber. You have met every challenge with distinction and can look back with justifiable pride on Martial Art.

Lita and I wish you and your family every success and happiness for the future.

Sincerely and with warmest regard,

Armando Carandang

Tuesday, August 20, 2013

Hyung Training

Hyung (Forms)

Forms are a fundamental and elemental part of our training. Ancient people had a deep interest in the development of forms as well as a profound understanding of them. Below is a quote from the Moo Yei Do Bo Tong Ji, which is the oldest documentation of Korean Martial Arts (300 Years), the author is unknown:
“Performing with hands and feet and conditioning the body is the beginning of the study of the art of Soo Bahk. In actual combat, form does not seem in an obvious way to be a necessary part of the martial arts. However practicing forms perfects the ability to perform hand and foot techniques freely. This is fundamental to making the best use of one’s body at all times.”
Basic to all martial arts is this: After the basic movements are learned they are applied to and transformed into forms. As established, traditional and clearly defined sets of steps, jumps, blocks, kicks and punches, each of the forms in our art has a unity and purposed. The elements which make up the character or personality of a form are as follows:
  1. Form Sequence
  2. Power Control
  3. Tension and Relaxation
  4. Speed and Rhythm Control
  5. Direction of Movements
  6. Spirit or Attitude
  7. Power of Technique
  8. Understanding Form Technique
  9. Distinctive Features of the Form
  10. Perfect Finish
  11. Precision of Movements
  12. Intentness

Friday, July 26, 2013

Promoted To 8th Dan

You can't imagine the feeling you get at this kind of promotion.
Here I am being presented my certificate to Pahl Dan by Grandmaster Estioko of Sacramento, California.  Grandmaster is the second American to be awarded Dan rank in Tang Soo Do.  I will post again later about his journey.

This was an amazing weekend.  Getting ready to run the Nationals,  Senior Master training with Kwan Jang Nim Estioko.  Promoted to 8th Dan with my long time friend and Tang Soo brother Wesley "Chipper" Jenkins.  An accomplishment of a lifetime!

I want to thank all my teachers.  I believe we stand on the shoulders of all of our teachers.
I will have to post some photos and comments about their teaching and my learning.
I want thank my wife for supporting me in this pursuit.
I especially want to thank my student, business partner and training partner Master Kristin Duethorn for her constant push to be a great Black Belt, which in turn forces me to be a great teacher.  Our workouts over the years have been rigorous and plentiful and together we have sought true Tang Soo Do and Moo Do training.

When I began training in martial arts, somewhere around green belt, a friend asked me how high a Black Belt I hoped to achieve.  After a little thought I said 3rd degree Black.  He asked how I came to that?  I responded, that is how high my teacher is.  One thing I have learned is that we can all do better than we think we can.

Writing this has brought on many more thoughts of things I would like to write about.  I will need to be more consistent with my blogging.

Thanks for the journey and the memories!


MB

Wednesday, December 12, 2012

Grandmaster


World Dang Soo Do Union (http://wdsdu.com/)

My instructor is Great Grandmaster- Kwan Jang Nim Song Ki Kim.

He has dedicated his life to the teaching of the traditional Korean Martial Art of Tang Soo Do.
· He has over 50 years experience of Tang Soo Do. (Dan #312)
· He started teaching in 1956.
· He was an Instructor of the Korean military army brigade at Osan, Korea in 1957.
· He founded the Tang Soo Do School at Osan US Air Force base(K-55) in Korea in March 1958.
· He founded the Tang Soo Do Regional headquarters at Kyoung Ki province of Korea in January 31, 1960.
· Over a thousand of his former students have become top Masters and Grand Masters around the world.
· He is currently the World Dang Soo Do Union President.
He was instructor to Chuck Norris.
(and a great golfer)

Thursday, July 19, 2012

Yuk Ro Hyung




Dham Doi Ship E Ro (Tan Tui)

12 Road Tan Tui, or Dham Doi Ship E Ro in Korean, is a set of basic Chang Quan (long fist/boxing) combinations with a unique emphasis on kicks. Hwang Kee, founder of Hwa Soo Do, Tang Soo Do Moo Duk Kwan, and Soo Bahk Do, learned these exercises while he was in China training under his instructor Yang, Yuk Jin (Yang Chu Chin in Chinese). The History of Moo Duk Kwan, an autobiography of Hwang Kee, notes his training in China included Seh Bop (Postures), Bo Bup (Steps), Ryun Bup (Conditioning) and two sets of forms: Dham Doi Ship E Ro and Tae Kuk Kwon (Tai Chi Chuan). A future article will be written on these other disciplines.


Since the 12 Set Tan Tui (彈腿)–as they are more commonly known in the martial arts community–were foundational to Hwang Kee’s martial arts career, it’s safe to assume that Tan Tui greatly influenced the Moo Duk Kwan system in a large way, particularly in his study of Soo Bahk found in the Kwon Bup (拳法) section of the Moo Yei Do Bo Tong Ji (武藝圖譜通志). You can quickly identify pieces and even entire sets of Tan Tui exercises in standard Moo Duk Kwan combinations, such as the Sam Kwan Kong Kyuk (Triple Fist Attack).

Any student of Hwang Kee’s famous Yuk Ro forms, will find many correlations with Tan Tui. Yuk Ro, meaning 6 roads, came from the Moo Yei Do Bo Tong Ji and is one line of text each. Some techniques are further explained in the notes section but overall, little guidance is given to the true nature of Yuk Ro. It seems clear, however, that each “road” is a single technique rather than an entire form. Hwang Kee then extrapolated the information and created a signature technique in each Yuk Ro form that shaped the character of the form. It’s safe to say that Hwang Kee then gleaned other techniques to compose the form from his previous training, including 12 Road Tan Tui. Individual movements and combinations can be found in both 12 Road Tan Tui and Yuk Ro forms.

Tan Tui Explained
Tan Tui (彈腿) is commonly translated to “spring legs” or “springing legs” because of the double meaning of spring. The correct meaning for “spring” in this case refers to water. A better translation is likely “pond”. Tan Tui is a foundational exercise in almost all Chang Quan (long fist/boxing) systems in Northern China and came from the Hui Muslim community. Though many variations exist, two main branches are practiced today: 10 Road Tan Tui and 12 Road Tan Tui. 12 Road Tan Tui is what Hwang Kee practiced.

The signature technique of Tan Tui is the “yoke punch”, which Soo Bahk Do practitioners call “Hwa Kuk Jang Kap Kwon”–translated Seize and Smash Long Back Fist. A yoke was a wooden bar that would “yoke” a team of oxen to pull a wagon. The yoked oxen moved as a single unit because of the yoke. In like manner, both arms work and move together in a yoke punch.

The yoke punch differs from a Hwa Kuk Jang Kap Kwon in that the front hand strikes with the front of the fist, rather than the back of the fist. A yoke punch is a straight punch with the chest turned sideways for maximum expansion and reach. The back hand acts as a back fist to the rear, though the back hand is only practiced in the forms as you learn Chang Quan (long fist/boxing) theory. In application, it’s a single handed strike with your body turned. It is quite effective and has defensive characteristics while moving offensively.

A Moo Duk Kwan practitioner will benefit greatly from the study of Tan Tui as it will give him/her a greater understanding of the Moo Duk Kwan system by learning the foundation on which it was built. Some of the more classical movements in Soo Bahk Do begin to be demystified as you study both the motions and applications of Tan Tui. Below is an example of some of the Tan Tui roads, modified to better complement the Moo Duk Kwan’s interpretation of Yuk Ro while still staying true to the spirit of Tan Tui.

Video Training
Below are what I consider the best YouTube versions of Tan Tui out there. The first video is the solo practice whereas the second is the two-person version. In the future, I will be posting my interpretation of Tan Tui based on the unique technique found within the Moo Duk Kwan.
References:

Thursday, January 12, 2012

My Own Training


Check out our VLOG

To help educate and maybe entertain you we have decided to post more of our own training in a video log with what we do each week to advance our training and keep up our skills


Kwan Jang Nim

Saturday, November 05, 2011

정신 소리지르 - Ki Hap

정신 소리지르





Ki Hap: More than just a yell

Kwan Jhang Nim Charles Ferraro



The Korean word Ki Hap means to concentrate or focus the life force. You may have heard Ki Hap referred to as a "spirited shout". The spirit shout is, in fact, an important tool for learning to develop Ki Hap, but like so many aspects of modern day training the outward physical trappings of Ki Hap practice have become confused with the internal function itself by those who don’t have a clue as to what a Ki Hap is. The fact is, Tang Soo Do masters are capable of focusing their spirit through their weapons (hands and feet) without shouting. Some masters are capable of projecting and focusing the life force without even moving, much less shouting.

There is an old Okinawan story about a 19th century marital arts master who was challenged to a duel by another karate adept. They met at dawn in a field outside the village where they lived. Each man expected a fight to the death. As the master approached the field, the other man readied himself and assumed his fighting stance. The master, however, approached the scene standing relaxed with his hands at his sides. As the master came within fighting range, the challenger suddenly felt ill, and his knees nearly buckled. He quickly excused himself for a moment and sat down to regain his composure. After several minutes, the master asked him if he was ready to get on with it. The man decided that he was and got up to take his stance, but as soon as he looked into the master’s calm face and firm gaze, he felt ill again and had to sit to keep from falling. "Sir, I withdraw my challenge and apologize", he said. "I can see I am no match for you, and fighting would surely cost me my life."

This story may sound far fetched but when the Ki Hap is developed to its purest and highest form it is much more than a yell, rather it is a force capable of completely crushing an enemy without throwing as much as a single blow.

I have personally sparred with partners who were technically superior to me, but I could sense that they had inferior Ki Hap development and I was able through my will to dominate them and to render them totally helpless. Early in my martial arts career I have also been on the other side of the stick when I knew I was facing an opponent who had superior Ki Hap development and he was able to dominate me as easily as I did others later on.

In order to develop your Ki Hap you must work on the following attributes:

You must find your heart
You must develop an understanding of your Tangien (area two inches below the navel.
You should develop your "breath power" (control).
You should develop your "spiritual focus".
You should practice your hyung seriously.

Finding your heart means developing a specific mental attitude. In Tang Soo Do we refer to this attitude as "indomitable spirit", and it simply means to refuse to accept defeat. Of course, refusing to back down from a challenge or threat isn’t easy. We are accustomed to going through life avoiding conflicts, and seeking the path of least resistance. Always looking for the easy way. But sometimes you simply just have to fight, either figuratively or literally. Having heart is something we all have within us. We simply have to dig down deep and drag it out. Severe training and extremely hard challenges can serve as tools for developing this quality. But, no tool will work unless the student truly commits to conquering the challenge. He / She must throw their entire spirit into the effort. Survival isn’t enough; he/ she must triumph!

In order to develop a strong sense of Ki Hap, you must find your own heart. Make never giving up a habit. Always attack a challenge; never avoid or simply endure it. This is true whether you are facing a live opponent or a gut wrenching personal challenge.

Understanding your tangien (one point) is an essential ingredient in Ki Hap development. This is a spot that is located approximately 3 inches below your navel. This point is the physical center of our bodies. We tend to associate intuition and strong emotion with our gut. We’ve all felt fear, shock and grief gnawing there. Who hasn’t had a strong gut feeling about something or someone.

By focusing attention on their abdomens, Tang Soo Do practitioners are better able to tune out conscious thought, thereby freeing their minds to recognize the sensations produced by very subtle physical and emotional changes in their opponents. There is nothing mystical about this ability, it is a natural extension of a Tang Soo Doist’s ability to read his opponents. In order to fully develop an understanding of your tangien your must develop the following 3 attributes:

Learn to maintain your one point.
You must learn to relax.
You must learn to sink your awareness (weight) to its lowest point.

Maintaining your one point means putting strength in your lower abdomen and generate power for all your techniques from there. All movement must come from your one point.
It is important to learn how to relax. Learning to relax is harder than it sounds. Stress from everyday activities accumulates in our bodies, eroding our sense of tangien. Relaxation at key points in each technique aides the speed and flexibility that is necessary for generating true power.
Finally learning to sink your weight to the lower part of your body is extremely important in developing your understanding of your tangien. When you can maintain your one point and keep yourself relaxed your will get a sense of your weight sinking to the tangien. You will feel rooted but agile. You will feel powerful, yet calm. Any fluid naturally settles to the lowest point in a container. Your body is mostly water, and when relaxed, the weight of all parts of your body will naturally settle to their underside. In this state, you are very stable and therefore, very rooted and powerful.

Development of "Breath Power" (control) involves using your breathing to coordinate the contraction of your muscles so you can use your physical strength most effectively. Breath control works with understanding of the tangien to provide the Tang Soo Do practitioner with extraordinary strength. To develop breath control, relax and breathe deeply into the abdomen, not the chest.

There are two important rules for breathing in combat:

Never empty your lungs completely. Breath is strength; always maintain a reservoir of it.
Don’t puff or snort. In sparring or combat don’t expose your rhythm to your opponent. Don’t let you opponent get your timing. Keep your breathing silent.


Developing Spiritual Focus is yet another element in Ki Hap cultivation. This is the glue that holds all the other facets together. It is the focus that literally defines the Ki Hap’s "focused life force". It is "spiritual focus" that directs the Tang Soo Do practitioner’s mind during conflict, giving him or her the tactical advantage over a less refined fighter. It is his/ her spiritual focus that fuses the Tang Soo Do practitioner’s will. In order to develop the attribute of spiritual focus one must focus their entire being in achieving their objective. This level of commitment must be physical, as well as, mental. For a Tang Soo Doist that means putting every bit of speed and every ounce of strength possible into each strike.

For the Tang Soo Do practitioner spiritual focus is a critical ingredient of the Ki Hap. It is the focus that concentrates Ki, the energy produced by the life force. Also important in the cultivation of spiritual focus is the "spirit shout" or the actual yell that accompanies the Ki Hap. A pathetic trait in many modern dojangs is the feeble, patronizing grunts that students pass of as spirited shouts.

The spirit shout is one of the most valuable tools for developing spiritual focus and subsequently Ki Hap. A well trained Tang Soo Doist will explode with a deafening roar at the crucial point of focus, the point of impact with his/ her target. The shout will erupt from their abdomen, and it will help them to focus that simultaneous burst from all their muscles, essential for generating the crushing force they desire. The spirit shout is a tool. It is an audible device the Tang Soo Doist uses to coordinate and focus his physical, mental and spiritual energies.

Finally, in order to properly develop strong spiritual focus practitioners must develop their eye focus. Practitioners who understand the use of the Ki Hap will keep their gaze large. They will rest their gaze on the portal of their opponent’s spirit, their eyes. As for the mechanic of vision, you can still see your opponent’s feet while pointing your eyes at his, and with your spirit focused, you can tell a feint from a real attack even before he starts it. So keep your gaze broad. Your face and eyes must be relaxed but firmly committed. If you go into battle truly committed to die for the opportunity to kill your enemy his spirit will read it in your eyes and he will be crushed. This is the essence of spiritual focus and the heart of the Ki Hap.

Serious Hyung Practice is the purest form of Ki Hap training. I am not referring to flashy competition forms. I am talking about good old fashion, traditional and classical hyung training. Proper hyung training provides a vehicle for practicing all the essential elements for developing Ki Hap. It emphasizes the proper stances and correct movements that build proper understanding of the tangien. A qualified instructor will always stress moving from your one point, relaxing at key points and lowering your center of gravity. Breathing in hyung always centers in the tangien. It is properly coordinated with techniques. Therefore, breath control grows with each time your practice. But most importantly, hyungs is absolutely the best exercise for developing focus. It emphasizes coordinating and focusing physical energy in each technique and teaches the student to concentrate his mental energy and focus it into the physical movements. Properly disciplined traditional hyung training even conditions the practitioner to commit and focus his or her spirit through commanding the directions in which he points his eyes.

If you want to develop a strong sense of Ki Hap, if you want to learn to destroy attackers utterly and completely, if you want to defeat an enemy with a single glance, you’ll practice hyung with utmost seriousness. Through many years of arduous hyung practice the seasoned martial artist arrives at the understanding that the Ki Hap is much more than a yell but until you arrive at this point I would suggest you continue to yell as loud and spirited as you can.


Ki Hap - 정신 소리지르

정신 소리지르


Ki Hap: More than just a yell

Kwan Jhang Nim Charles Ferraro
Reprinted from Mi Guk Kwan Kwan News - Volume #7 / Issue #5 - Spring 2002



The Korean word Ki Hap means to concentrate or focus the life force. You may have heard Ki Hap referred to as a "spirited shout". The spirit shout is, in fact, an important tool for learning to develop Ki Hap, but like so many aspects of modern day training the outward physical trappings of Ki Hap practice have become confused with the internal function itself by those who don’t have a clue as to what a Ki Hap is. The fact is, Tang Soo Do masters are capable of focusing their spirit through their weapons (hands and feet) without shouting. Some masters are capable of projecting and focusing the life force without even moving, much less shouting.

There is an old Okinawan story about a 19th century martial arts master who was challenged to a duel by another karate adept. They met at dawn in a field outside the village where they lived. Each man expected a fight to the death. As the master approached the field, the other man readied himself and assumed his fighting stance. The master, however, approached the scene standing relaxed with his hands at his sides. As the master came within fighting range, the challenger suddenly felt ill, and his knees nearly buckled. He quickly excused himself for a moment and sat down to regain his composure. After several minutes, the master asked him if he was ready to get on with it. The man decided that he was and got up to take his stance, but as soon as he looked into the master’s calm face and firm gaze, he felt ill again and had to sit to keep from falling. "Sir, I withdraw my challenge and apologize", he said. "I can see I am no match for you, and fighting would surely cost me my life."

This story may sound far fetched but when the Ki Hap is developed to its purest and highest form it is much more than a yell, rather it is a force capable of completely crushing an enemy without throwing as much as a single blow.

I have personally sparred with partners who were technically superior to me, but I could sense that they had inferior Ki Hap development and I was able through my will to dominate them and to render them totally helpless. Early in my martial arts career I have also been on the other side of the stick when I knew I was facing an opponent who had superior Ki Hap development and he was able to dominate me as easily as I did others later on.

In order to develop your Ki Hap you must work on the following attributes:

You must find your heart
You must develop an understanding of your Tangien (area two inches below the navel.
You should develop your "breath power" (control).
You should develop your "spiritual focus".
You should practice your hyung seriously.

Finding your heart means developing a specific mental attitude. In Tang Soo Do we refer to this attitude as "indomitable spirit", and it simply means to refuse to accept defeat. Of course, refusing to back down from a challenge or threat isn’t easy. We are accustomed to going through life avoiding conflicts, and seeking the path of least resistance. Always looking for the easy way. But sometimes you simply just have to fight, either figuratively or literally. Having heart is something we all have within us. We simply have to dig down deep and drag it out. Severe training and extremely hard challenges can serve as tools for developing this quality. But, no tool will work unless the student truly commits to conquering the challenge. He / She must throw their entire spirit into the effort. Survival isn’t enough; he/ she must triumph!

In order to develop a strong sense of Ki Hap, you must find your own heart. Make never giving up a habit. Always attack a challenge; never avoid or simply endure it. This is true whether you are facing a live opponent or a gut wrenching personal challenge.

Understanding your tangien (one point) is an essential ingredient in Ki Hap development. This is a spot that is located approximately 3 inches below your navel. This point is the physical center of our bodies. We tend to associate intuition and strong emotion with our gut. We’ve all felt fear, shock and grief gnawing there. Who hasn’t had a strong gut feeling about something or someone.

By focusing attention on their abdomens, Tang Soo Do practitioners are better able to tune out conscious thought, thereby freeing their minds to recognize the sensations produced by very subtle physical and emotional changes in their opponents. There is nothing mystical about this ability, it is a natural extension of a Tang Soo Doist’s ability to read his opponents. In order to fully develop an understanding of your tangien your must develop the following 3 attributes:

Learn to maintain your one point.
You must learn to relax.
You must learn to sink your awareness (weight) to its lowest point.

Maintaining your one point means putting strength in your lower abdomen and generate power for all your techniques from there. All movement must come from your one point.
It is important to learn how to relax. Learning to relax is harder than it sounds. Stress from everyday activities accumulates in our bodies, eroding our sense of tangien. Relaxation at key points in each technique aides the speed and flexibility that is necessary for generating true power.
Finally learning to sink your weight to the lower part of your body is extremely important in developing your understanding of your tangien. When you can maintain your one point and keep yourself relaxed your will get a sense of your weight sinking to the tangien. You will feel rooted but agile. You will feel powerful, yet calm. Any fluid naturally settles to the lowest point in a container. Your body is mostly water, and when relaxed, the weight of all parts of your body will naturally settle to their underside. In this state, you are very stable and therefore, very rooted and powerful.

Development of "Breath Power" (control) involves using your breathing to coordinate the contraction of your muscles so you can use your physical strength most effectively. Breath control works with understanding of the tangien to provide the Tang Soo Do practitioner with extraordinary strength. To develop breath control, relax and breathe deeply into the abdomen, not the chest.

There are two important rules for breathing in combat:

Never empty your lungs completely. Breath is strength; always maintain a reservoir of it.
Don’t puff or snort. In sparring or combat don’t expose your rhythm to your opponent. Don’t let you opponent get your timing. Keep your breathing silent.


Developing Spiritual Focus is yet another element in Ki Hap cultivation. This is the glue that holds all the other facets together. It is the focus that literally defines the Ki Hap’s "focused life force". It is "spiritual focus" that directs the Tang Soo Do practitioner’s mind during conflict, giving him or her the tactical advantage over a less refined fighter. It is his/ her spiritual focus that fuses the Tang Soo Do practitioner’s will. In order to develop the attribute of spiritual focus one must focus their entire being in achieving their objective. This level of commitment must be physical, as well as, mental. For a Tang Soo Doist that means putting every bit of speed and every ounce of strength possible into each strike.

For the Tang Soo Do practitioner spiritual focus is a critical ingredient of the Ki Hap. It is the focus that concentrates Ki, the energy produced by the life force. Also important in the cultivation of spiritual focus is the "spirit shout" or the actual yell that accompanies the Ki Hap. A pathetic trait in many modern dojangs is the feeble, patronizing grunts that students pass of as spirited shouts.

The spirit shout is one of the most valuable tools for developing spiritual focus and subsequently Ki Hap. A well trained Tang Soo Doist will explode with a deafening roar at the crucial point of focus, the point of impact with his/ her target. The shout will erupt from their abdomen, and it will help them to focus that simultaneous burst from all their muscles, essential for generating the crushing force they desire. The spirit shout is a tool. It is an audible device the Tang Soo Doist uses to coordinate and focus his physical, mental and spiritual energies.

Finally, in order to properly develop strong spiritual focus practitioners must develop their eye focus. Practitioners who understand the use of the Ki Hap will keep their gaze large. They will rest their gaze on the portal of their opponent’s spirit, their eyes. As for the mechanic of vision, you can still see your opponent’s feet while pointing your eyes at his, and with your spirit focused, you can tell a feint from a real attack even before he starts it. So keep your gaze broad. Your face and eyes must be relaxed but firmly committed. If you go into battle truly committed to die for the opportunity to kill your enemy his spirit will read it in your eyes and he will be crushed. This is the essence of spiritual focus and the heart of the Ki Hap.

Serious Hyung Practice is the purest form of Ki Hap training. I am not referring to flashy competition forms. I am talking about good old fashion, traditional and classical hyung training. Proper hyung training provides a vehicle for practicing all the essential elements for developing Ki Hap. It emphasizes the proper stances and correct movements that build proper understanding of the tangien. A qualified instructor will always stress moving from your one point, relaxing at key points and lowering your center of gravity. Breathing in hyung always centers in the tangien. It is properly coordinated with techniques. Therefore, breath control grows with each time your practice. But most importantly, hyungs is absolutely the best exercise for developing focus. It emphasizes coordinating and focusing physical energy in each technique and teaches the student to concentrate his mental energy and focus it into the physical movements. Properly disciplined traditional hyung training even conditions the practitioner to commit and focus his or her spirit through commanding the directions in which he points his eyes.

If you want to develop a strong sense of Ki Hap, if you want to learn to destroy attackers utterly and completely, if you want to defeat an enemy with a single glance, you’ll practice hyung with utmost seriousness. Through many years of arduous hyung practice the seasoned martial artist arrives at the understanding that the Ki Hap is much more than a yell but until you arrive at this point I would suggest you continue to yell as loud and spirited as you can.

Wednesday, September 28, 2011

Red Alert


Condition Red

Jeff Cooper is the father of American pistol craft. He has designed a color
code system for combat awareness. Even though they have been designed for
combat shooters, the awareness levels for the martial artist is the same.

Basically these describe your mental state.

White = Completely relaxed. You are most likely unaware of your
surroundings. If attacked in this state you will die.

Yellow = Relaxed alertness. You are aware of your surroundings and what is
going on all around you. You are not paranoid, just alert. While you are
not expecting trouble it won't sneak up on you. When you are armed you
should be in "yellow." You can live in "yellow."

Orange = Specific alertness. You have noticed a potential situation and now put
your everyday thoughts aside and concentrate on the problem
at hand. You may have to shoot someone. Your pistol is holstered.

Red = A fight is probable. You decide upon the "mental trigger" that will
indicate you are to shoot (...if he turns toward me, ...if I see a gun,
Etc.) you are ready to take action. The pistol is most likely in your
hand but can be holstered depending upon circumstances.

A more in depth explanation is in the below-mentioned sources.
They have been discussed in several books.

The Modern Technique of the Pistol by Greg Morrison (ISBN) 0962134236), and
The Tactical Pistol, by Gabe Suarez (ISBN 0873648641). Cooper wrote the
forwards to both of them. They are also discussed on video in the Armed
Defense series, a four tape set from Quad Productions, Reno, NV. The tapes
from Quad productions can be ordered online at: http://www.snowcrest.net/
quad/

Tuesday, July 19, 2011

Grandmaster Visit

Here is a link from Grandmaster's visit while I was teaching class.

What a privilege to have him here!

MB

Sunday, July 17, 2011

Bouncer chronicles- How to hire a bouncer

When I was running my nightclub in the 70s and 80s we often started our after work play around 3am.  My shift started at 6pm where we preppe...